DJ King Flow interviews Wordsworth for Mixtape Addict 92.
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- 5 min read

French DJ and producer DJ King Flow returns with a new edition of Mixtape Addict, delivering a carefully curated exploration of underground hip hop. Broadcast via Scientific Sound Asia, the Vietnam-based international radio station, promoter, and DJ Agency, the programme continues to operate as a global platform for artists committed to the core values of hip hop culture.
DJ King Flow began his journey at the age of fourteen, shaping a style rooted in boom bap while maintaining a contemporary perspective. His sound draws from the foundations of 90s hip hop while remaining connected to the present, consistently supporting emerging voices across the underground scene.
This ability to bridge generations has earned him recognition from listeners and artists worldwide, establishing him as a trusted selector within lyrical hip hop. Over the years, he has collaborated with influential figures including Ras Kass, Tragedy Khadafi, O.C., Juicy J and Khujo Goodie. These relationships reflect his continued commitment to preserving the genre’s lineage.
Since launching Mixtape Addict in 2015, DJ King Flow has developed the series into a respected hub for independent artists, combining radio broadcasts, interviews and mixtape releases to highlight genuine talent and reinforce the strength of the underground community. Alongside his work as a selector, he continues to expand his creative output as a producer.
His instrumental album The Adventures of F.J. Parker brings together jazz-influenced melodies, soulful textures, deep grooves and the gritty character associated with classic hip hop production. In recent years, he has expanded his catalogue with projects such as Trill Legacy (Instrumentals), a beat-focused release built around layered production and cohesive sonic themes, alongside tracks including Warzone featuring Ice Crimi and Win or Lose featuring Imam T.H.U.G.
His collaboration Money with Lex Lakaiser reinforced his presence within contemporary underground hip hop, while mixtape compilations such as Industry Pirates 2, Industry Pirates 3 and Time Travel (Beat Tape) reflect continued creative activity. His 2025 releases, including Money, Give the Town Some Hope and additional forthcoming collaborations, demonstrate ongoing artistic development and a clear dedication to the craft.

Interview Guest: Wordsworth.
Wordsworth is a New York-based hip hop artist widely respected for his sharp lyricism, storytelling ability and strong connection to classic boom bap tradition. Emerging from the underground scene in the late 1990s, he built his reputation through freestyle culture, live performance and technical precision on the mic.
He first gained wider recognition through his affiliation with the Lyricist Lounge movement, a key platform for underground hip hop in New York, where his articulate delivery and structured writing stood out among his peers. This early exposure helped position him within a generation of emcees focused on lyrical skill and authenticity.
Wordsworth is also a member of the group eMC alongside Masta Ace, Stricklin and Punchline, a collective known for its cohesive projects and emphasis on storytelling and classic hip hop structure. Their releases, including The Show and The Tonite Show, reinforced his presence within the international boom bap community.
As a solo artist, his catalogue includes albums such as Mirror Music, The Photo Album and Our World Today, each reflecting a consistent focus on narrative-driven writing and introspection. His music often explores everyday experiences, social commentary and personal growth, delivered with clarity and technical control.
He has collaborated with a wide range of respected artists and producers, including Masta Ace, Kool G Rap, Large Professor and 9th Wonder, further establishing his credibility within the culture. His work balances traditional hip hop values with thoughtful subject matter, maintaining relevance across different eras.
Within the context of Mixtape Addict, Wordsworth represents the lyrical core of East Coast hip hop, combining storytelling, structure and authenticity in a way that aligns closely with the show’s focus on substance and craftsmanship.
The session opens with Stu Bangas and Wordsworth establishing a strong Boom Bap foundation through Chemistry, People In My Neighborhood and I Was Raised, combining technical lyricism with classic East Coast structure. Set It Off quickly intensifies the tone with hardcore energy, while Three In The Chamber reinforces that cypher-driven momentum with rugged underground delivery.
The mix shifts briefly into a more commercial lane with Minks In Miami, before returning to traditional form through The Unusual and F.U.N, balancing West Coast Rap smoothness with Boom Bap roots. TSA Pre-Check and Wish Me Well bring street-focused narratives, maintaining a steady mid-tempo groove.
Momentum builds again with Finesse and Where The Fu Schnickens At, both pushing lyrical intensity and energy, while The Vapors keeps the underground tone consistent. My Life Is Real adds a reflective layer with classic New York influence, grounding the set in heritage.
The closing stretch drives forward with La Bandera, delivering hard-hitting underground grit before DJ King Flow transitions into an in-depth interview with Wordsworth, shifting the focus from performance to perspective. Episode 92 stands as a focused Boom Bap session highlighting lyricism, collaboration and the enduring strength of East Coast hip hop.
This conversation provides deeper insight into Wordsworth’s creative process, artistic philosophy and his position within the wider hip hop landscape.
Speaking on his foundation in lyricism, Wordsworth reflects on the importance of structure and clarity in his writing, emphasising that strong technical ability should always serve the message. He notes that his early development through freestyle culture helped sharpen both delivery and discipline, shaping the way he approaches records today.
He also discusses the balance between authenticity and evolution, explaining that while his style remains rooted in classic boom bap traditions, he continues to adapt without compromising his core identity. This approach has allowed him to remain consistent across decades while still engaging with new audiences.
The conversation moves into collaboration, where Wordsworth highlights the value of working with producers and artists who understand the fundamentals of hip hop. He points to his work with respected figures across the scene as part of a broader commitment to preserving lyrical integrity while pushing creative boundaries.
Touching on the current state of hip hop, he acknowledges the diversity within the genre today, but reinforces the importance of substance and craftsmanship. For Wordsworth, maintaining a focus on storytelling and technical precision remains essential, particularly within the independent and underground space.
The interview provides a clear insight into his mindset as an artist, reinforcing his position within East Coast hip hop while underlining the principles that continue to define his work.
The live broadcast is set for Tuesday, March 31st, 2026, from 8 to 10 PM Indochina Time (ICT), with a replay scheduled for Saturday from 8 to 10 AM (ICT).
DJ King Flow Mixtape Addict episode 92 (first hour).
Stu Bangas & Wordsworth - Chemistry
Stu Bangas & Wordsworth - People In My Neighborhood feat. Masta Ace
Stu Bangas & Wordsworth - I Was Raised feat. Apathy & Punchline
Ras Kass & Onyx - Set It Off
Obleak & Yotto Beatz - Three In The Chamber feat. Ruste Juxx & Rockness Monstah
Rick Ross, French Montana & Max B - Minks In Miami
El Da Sensei - The Unusual
Kail Problems - F.U.N (Prod Ollie Dodge)
Red Cafe & Benny The Butcher - TSA Pre-Check
Red Cafe & Max B - Wish Me Well
Casablanca The Gawd - Finesse (Prod Araabmuzik)
Ras Kass & Chip-Fu - Where The Fu Schnickens At
Jus One - The Vapors
Nas & DJ Premier - My Life Is Real (DJ Unknown Remix)
Doza The Drum Dealer & Spit Gemz - La Bandera
DJ King Flow - Interview With Wordsworth
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