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DJ King Flow interviews DJ Rob Swift for Mixtape Addict 56.

  • Jul 1, 2025
  • 7 min read

Updated: Apr 29

American DJ and producer DJ Rob Swift in the upper part of the picture wearing a baseball cap and looking at the camera with his right hand pointing to his head and his left hand reaching forward with a torn paper effect between him and the lower part of the picture with DJ King Flows Mixtape Addict and sponsor logos, colour image

French DJ and producer DJ King Flow has unveiled the playlist and special guest for the latest instalment of his acclaimed weekly series, Mixtape Addict. This episode features an exclusive interview with the legendary DJ Rob Swift, further cementing the show's reputation as a leading platform for underground hip hop. Scientific Sound Asia, a respected presence in the Asian music scene, continues to support the series as a radio station, music news outlet, DJ agency, and event organiser.


Hailing from France, DJ King Flow began his musical path at the age of 14 and has since earned a distinctive role within the international hip-hop community. Renowned for his genre-blending mixtapes and forward-looking approach, he is widely praised for pushing creative boundaries while staying true to hip hop’s core values.


Recognised for his inventive production and technical flair, DJ King Flow has collaborated with influential figures including Ras Kass, Torae, Juicy J, Tragedy Khadafi, O.C., and Khujo Goodie of Goodie Mob. These partnerships reflect both his musical versatility and the respect he commands across the global rap landscape.


His work is rooted in storytelling and emotional impact, bridging cultures through a shared love of hip hop. With a steadfast commitment to his craft, he continues to inspire upcoming artists and dedicated fans alike, securing his place as a prominent figure in today’s hip-hop scene.


Since launching his career in 2012, DJ King Flow has built strong connections in major American cities such as New York, Dallas, Providence, Miami, and Seattle. Alongside longtime collaborator Young Amsterdam, he has nurtured a cross-continental network of artists and creatives. Their joint efforts have driven numerous collaborations and strengthened ties across the international underground.


In 2015, he launched Mixtape Addict, a radio show that quickly gained traction on hip hop radio stations worldwide. By 2019, the platform had grown into Mixtape Addict Report, a video series offering in-depth interviews with key figures in the genre. With stops in France, Canada, and New York, the series has delivered candid conversations and raw insight into the heart of hip hop.


This week’s episode features DJ Rob Swift, whose turntablism and history with The X-Ecutioners have made him a pivotal figure in DJ culture. His appearance continues the show’s tradition of spotlighting voices that have shaped and elevated hip hop. DJ King Flow’s continued focus on authenticity, connection, and culture ensures that Mixtape Addict remains an essential outlet for underground expression.


American DJ and producer Rob Swift performing on Technics SL-1200s at an event wearing a baseball cap and green T-shirt, colour image

Interview Guest: DJ Rob Swift.


DJ Rob Swift, born Robert Aguilar in Queens, New York, is a legendary DJ, producer, and turntablist who has helped shape the art of DJing for over three decades. Influenced early on by his father and older brother, Rob Swift began experimenting with vinyl at age 12, eventually mastering the elements of scratching, beat juggling, and live sampling.


He quickly became known for pushing the technical and creative boundaries of turntablism, establishing himself as one of New York’s most innovative DJs. In 1991, he joined the iconic DJ collective The X‑Ecutioners (formerly known as the X‑Men), a group that revolutionised battle DJing and performance-based hip-hop.


Rob Swift gained further recognition after winning the 1992 East Coast DMC Championship and contributing to landmark albums like X‑Pressions and Built from Scratch, both of which helped bring turntablism into the broader hip-hop spotlight. Rob Swift launched his solo career in 1998 with The Ablist, an album that fused battle-style cuts with musical composition, creating a blueprint for how turntables could be used as expressive instruments.


He followed it with Sound Event in 2002 and War Games in 2005, blending dark, layered beats with jazz, funk, and Latin influences, showing his versatility as both a DJ and a producer. His contributions go beyond studio recordings.


Rob Swift has performed and collaborated with a diverse range of artists, including Mike Patton, Dan the Automator, and Herbie Hancock, further expanding his influence beyond traditional hip-hop circles. His work has also been featured on platforms like ESPN and MTV, and he previously hosted the online radio show Dope on Plastic on Scion A/V.


Today, Rob Swift continues to preserve and advance the culture. He teaches at The New School in New York City and leads the Brolic Army DJ School, where he mentors aspiring DJs and turntablists on the history, techniques, and craft of DJing. His dedication to education and innovation keeps him deeply rooted in hip-hop’s evolution while influencing future generations.


As a guest on our hip-hop radio show, DJ Rob Swift brings decades of experience, stories from the golden era of turntablism, and a deep respect for the art of DJing. His perspective on the evolution of hip-hop and the importance of preserving its technical foundations makes him a vital voice in the culture today.


DJ King Flow opens Episode 56 with Rob Swift's Cutting With Class, showcasing tight turntablism before diving into the jazz-infused Jazz Is My Religion with Bob James and Dave McMurray. Beneficence, Inspectah Deck, and DJ Rob Swift elevate the Boom Bap intensity on Digital Warfare, while Leaders Not Followers fuses gritty lyricism and underground hip hop beats.


The set shifts into darker territory with Larceny by Casablanca, The Gawd & Cotola, and Fan The Flame from K.A.A.N & DJ Hoppa. The Clipse add weight with So Be It, driven by Pharrell's production. Gran Centennial brings a double dose of Boom Bap pressure with Body Bag and What's My Name, cementing his rugged East Coast credentials.


Later, Contageous Funk’s No Way Out and Snoop Dogg’s G-Funk-influenced Sticcy Situation inject a mix of East and West vibes. Jimmymack's Gen X Party offers club-ready East Coast hip hop flavours before DV Alias Khryst brings Horrorcore flair on Holloween and conscious tones with Fuhandz on Story.


The finale features French Boom Bap heat on L'envers De La Medaille by 2spee Gonzales and intense collaboration with Onyx & L’Uzine on Beat Da Shit Out Chu. The show closes with Different Price, featuring DJ Mirage, Elcamino, M Dot & Che Noir, and a special interview with DJ Rob Swift, providing an essential deep dive into hip hop craft and culture.


DJ King Flow welcomed DJ Rob Swift to Mixtape Addict 56 for a detailed conversation centred on DJ culture, authenticity, and the evolution of the mixtape era. Rob Swift began by reflecting on his influences, naming his mentor Dr. Butcher as the most important figure in his development. He explained that beyond technique, Dr. Butcher shaped his understanding of DJing on a deeper, more spiritual level, helping him connect emotionally and mentally with the craft.


The discussion moved into mixtape culture, where Rob Swift spoke about missing the 1990s era. He described how mixtapes were essential tools for DJs, not only for discovering music but for developing identity, improving selection, and refining performance skills. Record stores like Fat Beats played a central role, where DJs would buy tapes alongside vinyl, using them as inspiration for sets, battles, and further digging. He contrasted this with today’s digital environment, where short-form content and social media clips have largely replaced full-length curated mixes.


Rob Swift expressed concern about the current direction of DJ culture, noting that visual presentation often takes priority over sound quality. He pointed out that many DJs now focus on aesthetics such as location and image rather than technical ability or musical depth. While acknowledging the accessibility of modern technology, he suggested that this has led to a saturated scene where not everyone is committed to the artistry of DJing. Despite this, he emphasised that quality and authenticity still have greater longevity than trends.


On staying motivated, Rob Swift explained that his passion comes from a personal connection to the craft rather than external validation. For him, DJing is a form of self-expression and purpose, which makes it easy to remain positive regardless of industry changes. This mindset has been central to his longevity, allowing him to focus on creativity instead of competition or trends.


The conversation also covered his long-standing commitment to education. Rob Swift has been teaching since the late 1990s, initially working with students in his local community before expanding his reach online. During the 2020 pandemic, he formalised this into an official DJ school, creating a central platform where students worldwide can learn. His goal is not only to teach technique but to help individuals discover themselves through the art form, much like he did when he first started.


When discussing longevity, Rob Swift highlighted authenticity as the key factor. He stressed the importance of staying true to one’s own style, avoiding imitation, and maintaining a genuine connection to the music. He believes that DJs who follow trends may gain short-term attention but are unlikely to sustain long careers.


Rather than focusing on new music releases, Rob Swift spoke about his recent book, The City of Hip Hop, co-written with Rasul Mowatt. The project explores the historical and social conditions that contributed to the birth of hip hop culture in New York, examining political, economic, and cultural influences. He described hip hop as a universal form of expression rooted in marginalisation and creativity, emphasising that its impact extends far beyond any single community.


Closing the interview, Rob Swift encouraged listeners to support authentic hip hop and continue exploring its history. His overall message reinforced the importance of quality, originality, and purpose within DJ culture, offering a grounded perspective on both its past and its future.


DJ King Flow Mixtape Addict episode 56.

Rob Swift - Cutting With Class

Rob Swift, Bob James & Dave McMurray - Jazz Is My Religion

Beneficence, Inspectah Deck & DJ Rob Swift - Digital Warfare

DJ King Flow feat. Lex Lakaiser & Dnzl Izm - Leaders Not Followers

Casablanca The Gawd & Cotola - Larceny

K.A.A.N & DJ Hoppa - Fan The Flame

The Clipse - So Be It

D’Shon El Villano - Mixtape Addict Freestyle

Gran Centennial - Body Bag

Gran Centennial - What’s My Name

Contageous Funk - No Way Out

Snoop Dogg - Sticcy Situation

Slick Rick and Nas - Documents

John Jigg$ & ButterKnife Haircuts - Telfonious Monk

Snoop Dogg, Dr. Dre & K.A.A.N - Pressure

Jimmymack - Gen X Party

DV Alias Khryst - Holloween

FuHandz & DV Alias Khryst - Story

DJ King Flow & Imam T.H.U.G - Win Or Lose

2spee Gonzales - L’Envers De La Médaille (Prod DJ King Flow)

DJ King Flow & Thunny Brown - Tek It Off

Onyx & L’Uzine - Beat Da Shit Out Chu (Prod DJ King Flow)

DJ Mirage, Elcamino, M Dot & Che Noir - Different Price

DJ King Flow - Interview with DJ Rob Swift


Listen on Mixcloud here.


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