DJ King Flow interviews RBX for Mixtape Addict 11.

French DJ King Flow has unveiled the lineup for his upcoming weekly program, Mixtape Addict, featuring an interview with RBX. Scientific Sound Asia functions as a radio station, music news outlet, event organiser, and DJ agency in Asia, serving an international audience.

From the age of 14, the French artist, recognised as DJ King Flow, has been a remarkable talent in the Hip Hop scene, gaining attention with his outstanding mixtapes that have fascinated audiences globally. His love for Rap music sparked his creativity and pushed him to the top of the industry, where his distinct style and original beats have earned him widespread praise and respect.

Throughout the years, DJ King Flow has established himself as a pioneer in the field of music production, continuously pushing limits and reshaping the craft of mixing and merging sounds. His partnerships with respected musicians like Ras Kass, Torae, Juicy J, Tragedy Khadafi, O.C., and Khujo Goodie of Goodie Mob have not just displayed his adaptability but also highlighted his talent in effortlessly blending diverse musical styles into a unified and melodious entity.

DJ King Flow has crossed cultural boundaries and established a deep connection with audiences through his music, born out of his love for 90s hip-hop, rap and hip-hop history. He uses his beats to express emotions, tell stories, and share experiences. His passion for his art and constant pursuit of musical perfection distinguish him as a visionary in the Hip Hop industry, influencing and motivating aspiring hip-hop artists and dancers worldwide.

Since 2012, he has dedicated himself to linking various cities such as New York, Dallas, Providence, Miami, and Seattle to create a dynamic transatlantic Rap movement with his esteemed longtime partner, Young Amsterdam. This ambitious initiative has required extensive travel throughout the United States to foster connections and foster collaborations with those who love hip-hop that transcend geographical boundaries.

In late 2015, King Flow came up with the idea for Mixtape Addict, which later gained worldwide recognition on Hip Hop radio stations internationally. From early 2019 onwards, the team travelled to France, Canada, and New York to launch the groundbreaking video interview series called the Mixtape Addict Report, interviewing rap gods and world stars of Hip Hop, representing a major achievement and presenting Hip Hop News to the world.

Interview guest RBX.

RBX, born Eric Dwayne Collins, emerged as a prominent figure in the rap scene, hailing from the vibrant city of Long Beach, California. His artistry is characterised by a distinctive, resonant voice that captivates listeners and sets him apart in the industry. One of the pivotal moments in RBX's career was his collaboration with the iconic Death Row Records during the early 1990s, a period that marked a significant chapter in the history of hip-hop music.

Under the moniker RBX, which symbolises "Reality Born Unknown," Eric Dwayne Collins made his mark alongside fellow artists such as his cousins Snoop Dogg and Daz Dillinger. This collaboration not only showcased RBX's lyrical prowess but also solidified his position within the rap community. His contributions to Death Row Records added a unique dimension to the label's roster, further enriching the diverse tapestry of talent that defined the era.

RBX's journey in the music industry reflects a fusion of raw talent, dedication, and a deep-rooted passion for storytelling through his music. His impact resonates not only through his vocal delivery but also through the narratives he weaves, offering listeners a glimpse into his world and experiences. Through his work, RBX continues to leave an indelible mark on the rap landscape, cementing his legacy as a formidable artist whose influence transcends boundaries and resonates with audiences worldwide.

RBX emerged as a prominent figure in the West Coast hip-hop scene during the early 1990s. His distinctive style and lyrical prowess caught the attention of industry heavyweights, leading to notable collaborations with iconic artists such as Dr. Dre and Snoop Dogg. His contributions to seminal albums like Dr. Dre's "The Chronic" and Snoop Dogg's "Doggystyle" solidified his reputation as a versatile and skilled rapper.

After parting ways with Death Row Records in 1994, RBX embarked on a new chapter in his career by signing with Aftermath Entertainment, a move that marked a significant shift in his musical journey. Despite the transition, RBX remained dedicated to his craft and continued to push boundaries with his music.

One of the milestones in RBX's discography is his recent album "Hibernation Shivers," released in 2024. This project showcased his evolution as an artist and his ability to adapt to changing hip-hop while staying true to his roots. With "Hibernation Shivers," RBX demonstrated his enduring relevance in the ever-evolving world of hip-hop, garnering critical acclaim and reaffirming his status as a respected figure in the industry.

Episode 11 opens with a powerful West Coast presence, anchored by RBX’s The Shivers featuring Sccit and Crooked I, followed by Gotham Funk and Nightstalker alongside Krayzie Bone. These tracks highlight the darker, cinematic elements of the G-Funk era, with RBX’s unmistakable delivery echoing his legacy from The Chronic and 2001. Regrets adds introspection, marking a rare moment of vulnerability in a set defined by confidence and control.

Transitioning to the underground, Overtaker by J Scott Da Illest & Aida and The Statement by Truwerdz & K Banger deliver lyrical grit and determination. Drazmatik’s Relentless continues that focus on authenticity, while Jhiakana’s Calm Before The Storm bridges the underground ethos with modern flow. Haunted by oBleak & Necro injects a dark, twisted energy, expanding the sonic range with its eerie production and sinister tone.

The show’s classic section pays tribute to the Golden Age with My Pager by Saukrates and Fire Fresh Produce by Westcoast Mo, tracks that fuse soulful funk elements with precise bars. Jay-Z’s Dead Presidents and Nas & AZ’s Life’s A Bitch deliver Boom Bap perfection, grounding the mix in timeless New York energy, while Brave Hearts featuring Cappadonna adds a Wu-Tang edge to close the East Coast hip hop representation.

The episode then transitions into an in-depth interview, shifting the focus from performance to reflection, positioning the mix as both a curated listening experience and a broader exploration of the artist’s perspective.

This conversation provides deeper insight into the way RBX understands hip hop at its root level. Asked about his all-time favourite DJ, he points to Grand Wizard Theodore and JD from Long Beach, not for celebrity, but for craft. His explanation is revealing. What matters to him is not just playing records, but the ability to loop breaks, cut beats in real time and create a live foundation for emcees.

He also places real value on physical equipment, speaking about turntables, needles, mixers and speakers as essentials rather than optional nostalgia pieces. In that sense, the interview starts by grounding him in hip hop’s mechanics, not just its image.

One of the strongest moments comes when he explains that he actually began as a DJ. He recalls a high school battle where the rappers he was supposed to DJ for became intimidated by the competition and backed out, leaving him alone with the setup. Instead of folding, he put on the beat, grabbed the mic and handled both roles himself.

It is a small story, but it says a lot about the way he entered the culture. His start was not about industry planning or visibility. It came from instinct, improvisation and a willingness to perform when the moment demanded it. That same spirit carries into his thoughts on mixtapes.

RBX speaks very directly about what they represented, describing them as a form that gave real freedom to both artists and DJs. In his view, labels disliked mixtapes because they loosened corporate control over the music, especially when artists used them to make rougher, more immediate records outside official release structures.

He sees the format as something central to the essence of hip hop, precisely because it allowed experimentation, unauthorised creativity and direct communication with listeners. His comments on blending vocals with unexpected source material, including references to using things like Star Wars in a mix, underline how seriously he takes the DJ’s role as an active creator rather than a background technician.

That tension between creativity and control becomes even sharper when the interview turns to his own catalogue and the records that made him known worldwide. Rather than speaking with sentimentality about being part of classic albums, RBX gives a more realistic answer. He says he feels regular about it, and quickly shifts the conversation toward the work that went into those records and the frustration of still not being properly paid decades later.

His comments about Interscope continuing to use songs while failing to settle business properly give the interview an honesty that many legacy conversations avoid. Instead of celebrating the mythology of classic records, he points to the unresolved economics behind them. From there, the discussion moves naturally into publishing and streaming, and this is where RBX sounds especially clear-eyed.

He agrees that younger artists need to understand publishing from the start, then broadens that point into a wider critique of the modern system. He refers to the low returns artists receive from massive streaming numbers and argues that the newer platforms are still built to extract from musicians rather than sustain them. What is important here is that he does not blame listeners for adapting to technology.

He understands why people consume music the way they do now. His real issue is with the business model and with how little of the value returns to the people who made the work in the first place. At the same time, he remains committed to physical formats. He is clear that real music enthusiasts still come back to CDs and especially vinyl, because they want something tactile and sonically alive.

His description of wax as almost a living organism is one of the most memorable parts of the interview. For him, vinyl demands care, attention and a different type of listening discipline. You have to clean it, store it properly and respect the object. That attitude goes beyond format preference. It reflects a wider philosophy that music should be handled with care rather than consumed as disposable background noise.

That philosophy also informs the way he talks about his new album. He explains that the project came together gradually, through a series of records with producers and collaborators, until it became clear that an album was forming. What stands out most is his reaction to the support it received. Rather than taking the features and guest appearances for granted, he describes being overwhelmed by the number of respected artists who came forward to contribute.

He frames that support as authentic, not strategic, and seems genuinely moved that so many people showed up for him after years of dealing with industry instability. The next part of the conversation makes his current position even clearer. RBX says he returned to music on his own terms and in an age-appropriate way, refusing to imitate younger artists or force himself into trends that did not suit him.

He knew some people would dismiss him for coming back, but he chose to stand on his own square and make the kind of music he believed in. That decision seems central to the episode. He is not trying to repackage the past or chase relevance through gimmicks. He is making records that reflect his voice, his age and his experience, and letting the audience decide whether they value that honesty.

He also reveals that there is more material waiting, including additional projects and even a rock album that remains unreleased because of the same frustrations he has with labels and ownership. That section is especially telling. Even when discussing music he is excited about, his instinct is to protect it rather than hand it back to systems he does not trust.

He would rather let records sit in the vault than put them into the hands of people who failed to do right by him before. It is a stubborn position, but it fits everything else he says in the interview about artistic control and refusing to let institutions strip the value out of the work. Taken as a whole, this edition of Mixtape Addict works because it treats RBX as an active thinker within the culture rather than a heritage act.

The mix places him among records that still value bars, mood and DJ structure, while the interview reveals a deeper consistency in the way he sees hip hop itself. He remains committed to the fundamentals, sceptical of exploitative systems, loyal to physical culture and determined to make music without pretending to be anyone other than himself.

The result is not just a retrospective conversation with a West Coast legend, but a useful reminder that longevity in hip hop often comes from holding onto the parts of the culture that were built before the industry learned how to package them.

Mixtape Addict episode 11.

RBX - The Shivers feat. Sccit & Crooked I

RBX - Gotham Funk

J Scott Da Illest & Aida - Overtaker

Saukrates - My Pager

Truwerdz & K Banger - The Statement

Westcoast Mo - Fire Fresh Produce

Jhiakana - Calm Before The Storm

RBX & Krayzie Bone - Nightstalker

RBX - Regrets

oBleak & Necro - Haunted

Hectik & Cappadonna - Brave Hearts

Drazmatik - Relentless

Jay Z - Dead Presidents

Nas & AZ - Life's A Bitch

DJ King Flow - Interview with RBX

Listen on Mixcloud here.