DJ King Flow interviews Grea8Gawd for Mixtape Addict 10.

French DJ King Flow has revealed the tracklist for his new weekly show, Mixtape Addict, which also includes an interview with Grea8Gawd. Scientific Sound Asia operates as a radio station, promoter, music news website, and DJ agency in Asia, catering to a global audience.

Since the age of 14, the French artist known as DJ King Flow has been a prodigious talent in the Hip Hop world, making waves with his exceptional mixtapes that have captivated audiences worldwide. His passion for all things Rap ignited a creative spark that propelled him to the forefront of the industry, where his unique style and innovative beats have garnered widespread acclaim and admiration.

Over the years, DJ King Flow has solidified his reputation as a trailblazer in the realm of music production, consistently pushing boundaries and redefining the art of mixing and blending sounds. His collaborations with esteemed artists such as Ras Kass, Torae, Juicy J, Tragedy Khadafi, O.C., and Khujo Goodie from Goodie Mob have not only showcased his versatility but also underscored his ability to seamlessly fuse different musical influences into a cohesive and harmonious whole.

Through his music, DJ King Flow has transcended cultural barriers and connected with audiences on a profound level, using his beats as a medium to convey emotions, stories, and experiences. His dedication to his craft and unwavering commitment to musical excellence have set him apart as a visionary whose impact on the Hip Hop world continues to resonate and inspire aspiring hip-hoppers around the globe.

Starting in 2012, he has committed to connecting different cities like New York, Dallas, Providence, and Seattle to establish a vibrant transatlantic Rap movement alongside his esteemed longtime collaborator, Young Amsterdam. This ambitious project has involved extensive travelling across the United States to build relationships and encourage partnerships that go beyond geographical limits.

King Flow conceived the concept of Mixtape Addict in late 2015, leading to its subsequent global hip hop radio acclaim. Starting in early 2019, the team embarked on trips to France, Canada, and New York to introduce the innovative video interview series known as the Mixtape Addict Report, marking a significant milestone.

Interview guest Grea8Gawd.

Within the constantly changing realm of hip-hop, fresh talents are rising, each adding their own distinct touch to the genre. Grea8Gawd is one of these emerging voices making an impact in the underground scene. Renowned for his unrefined and intense style, Grea8Gawd is steadily gaining recognition in the hip-hop world.

Grea8Gawd's music pays homage to the classic era of hip-hop, taking inspiration from iconic figures such as Nas, Kool G Rap, and The Notorious B.I.G. His verses reflect a mix of urban insight and inner reflection, presented with a seamless yet impactful delivery. This fusion of traditional roots and contemporary flair distinguishes him from numerous artists in the current scene.

Grea8Gawd started his music career on the streets, refining his skills through freestyle battles and performances in the local scene. He gained recognition with the launch of his mixtape, praised for its genuine sound and meaningful lyrics. Songs such as "Street Chronicles" and "Hustler's Anthem" became popular among fans, highlighting his talent for storytelling through music.

Grea8Gawd's uniqueness lies not only in his technical skills but also in the depth of his music. His tracks frequently explore topics such as hardship, strength, and the journey towards achieving aspirations. Through detailed storytelling, he vividly portrays urban life, providing a window into his reality. This genuineness strikes a chord with fans who value music that reflects genuine life encounters.

With Grea8Gawd's continued ascent, the outlook appears bright. As his fan base expands and he garners more acknowledgement from industry professionals, he stands ready to leave a notable mark on the hip-hop landscape. Anticipation is high for his forthcoming endeavours, with fans eager to witness his artistic evolution.

Grea8Gawd is not just a rapper; he is also a storyteller, a poet, and a champion for the marginalised. Through his music, he showcases how hip-hop can be a platform for both self-expression and societal transformation. As he establishes his unique presence in the music scene, Grea8Gawd will certainly make a lasting impact on the music world.

Episode 10 of Mixtape Addict opens with a standout performance, Mixtape Addict Freestyle by Grea8Gawd, setting the tone for a raw, lyrical showcase. DJ King Flow follows with Seen It All featuring Grea8Gawd and 2spee Gonzales, blending hard-hitting production with vivid storytelling. Vice Souletric’s Vice For President, produced by Pete Rock, and Benny The Butcher’s The Most (Prod. Harry Fraud) ground the episode firmly in Boom Bap tradition with soulful samples and razor-sharp bars.

As the mix deepens, Rocafella Chain featuring Grafh, Freeway, Peedi Crakk, and Memphis Bleek brings nostalgic East Coast energy. DJ King Flow’s collaborations with Drazmatik and Pacewon (Niggaz Wonder Why) and Hectik & Cappadonna’s Brave Hearts continue that authentic Hip Hop momentum, each carrying themes of perseverance and lyrical strength.

The underground section keeps the energy gritty and poetic. Grea8Gawd’s The Source (produced by Roc Marciano) displays his confident delivery, while Jhiakana’s Calm Before The Storm and Russ T Gunz & Carlito Black’s Sliding Music reveal new-school artistry rooted in raw lyricism. Kheyzine & Johnny Storm’s International and Muddy Jonez’s Da Bar Association add depth to the underground presence with sharp verses and sample-heavy production.

Closing with Haunted by oBleak & Necro and Jungle Book by Daytona Chavez & Skumbag Diggs, the episode takes a darker, cinematic turn before culminating in DJ King Flow’s exclusive interview with Grea8Gawd. This final conversation offers insight into his process and evolution, tying together an episode that bridges classic Boom Bap, modern underground hip hop grit, and lyrical mastery.

This conversation provides a much clearer view of how Grea8Gawd sees both his own career and the current state of the culture. Early on, he names DJ Premier as the first DJ who comes to mind, not only because of Premier’s status as a producer, but because of the classic cuts, hooks and overall structure that have defined his records.

That answer is telling because it places Grea8Gawd firmly within a tradition that values technical presentation as much as bars. He also reveals that Premier and DJ Eclipse were among the first major DJs to put his music into rotation, a detail that gives real weight to his emergence and shows how his name first began to move through credible hip hop channels.

The strongest section of the interview centres on mixtapes. Grea8Gawd speaks about them not in a vague nostalgic way, but from lived experience. He explains that his first real legal income came from selling mixtapes across states and cities, and he traces a direct line from that era to his more recent Power mixtape, which he deliberately shaped in the old format.

He gives DJ Green Lantern particular credit for helping put his name into circulation early on, and his wider description of moving through places like Connecticut, Buffalo and other cities with physical product paints a picture of a pre-streaming hustle that many younger listeners have only heard about second-hand. In his telling, the mixtape was not simply a release format. It was an education, a business model and a cultural training ground.

That history also explains why he feels so strongly about newer artists abandoning mixtapes. He sees them as a lost opportunity, particularly because they offered a rare degree of freedom. In his words, mixtapes allowed artists to take beats they wished they had, reinterpret them and make them their own.

He treats that flexibility as central to the growth of style and personality in rap, which is why he now talks about continuing the Power series and collaborating again with DJs tied to that tradition, including DJ Watts and potentially DJ King Flow himself. When asked to define his sound, Grea8Gawd gives one of the clearest statements of artistic identity in the interview.

He describes his music as raw, drawn from first-hand knowledge rather than second-hand imagination, and built from situations he actually lived through. He is not interested in overcomplicating that. In fact, he pushes back against the idea that everything has to be coded or overly abstract, arguing instead for directness and accessibility, so long as it remains true.

That point matters because it distinguishes him from artists who use street imagery as a style. For Grea8Gawd, the material is personal, and he frames experience itself as the source of authority in his writing. The interview also sheds light on the way his career expanded through his connection to Roc Marciano and the Penpire circle.

He recounts how a video shoot with Eto led to a direct phone call with Roc Marciano, after which he sent music, built trust and was gradually brought into a wider network. What makes this story notable is not just the access, but the way he tells it. He is acutely aware that many people in the industry with the right connections still refuse to make meaningful introductions.

In contrast, he credits Eto for acting immediately and Roc Marciano for sharing space at a time when Marciano’s stature was already significant. He treats that gesture as career-changing, particularly in terms of expanding his overseas fan base and connecting him to a ready-made audience that may not otherwise have found him so quickly.

His comments on Roc Marciano are among the most pointed in the interview. Grea8Gawd is clear that Marciano does not always receive proper credit for shaping the drumless, soul-sample-heavy sound that now influences a wide section of the underground. He goes even further, arguing that some people are credited for innovations they did not start, while asserting that he himself had been making and rapping over drumless beats long before the style became fashionable.

Whether taken as a challenge to the current narrative or as a broader statement about who gets recognised, that section gives the interview a sharper industry edge and shows that he is thinking about rap history not just as a fan, but as someone who wants the record corrected. The final third of the conversation broadens beyond music into business and audience-building.

Grea8Gawd speaks openly about the importance of physical releases and direct-to-consumer sales, arguing that vinyl, special packaging and limited editions give listeners something tangible to keep. More significantly, he describes using Instagram Live to sell the Power tape directly, saying he made more in two hours than he would have made over a year from streaming.

That experiment has clearly shaped his thinking, and he now sees direct fan support as one of the most important ways for independent artists to survive without diluting what they do. He plans to repeat the model with new releases and even extend it into virtual live shows, using his own site to host ticketed concerts for fans who cannot see him in person.

That entrepreneurial mindset feeds into an even wider ambition. He talks about documentaries, film projects and building the God Squad into something with the scale and presence of a Bad Boy or Roc-A-Fella for his own era.

Some of the titles he mentions, including a bars documentary, a Sorry Mama documentary and a film called Up Top, suggest that his plans are not limited to music promotion, but tied to a broader storytelling vision rooted in the same world his records come from. He also names Griselda, and, particularly, Westside Gunn as an important examples of what happens when the market is forced to recognise that people still want real rap.

The most personal section of the interview comes at the end, when he speaks about his fan base. Rather than treating fans as abstract support, he describes a more direct and emotional relationship, explaining that some followers have checked in on him during difficult periods in his life and that he tries to return that care by replying to messages, sending voice notes and staying accessible.

He even discusses the idea of getting a dedicated phone so supporters can contact him more directly. Whether or not that plan becomes permanent, it reveals how seriously he takes the idea of reciprocity. For Grea8Gawd, fan loyalty is not just measured in numbers or streams. It is measured in presence, conversation and mutual support.

As a result, this episode of Mixtape Addict does more than introduce another underground rapper with a strong set of bars. It presents Grea8Gawd as an artist deeply committed to the culture that formed him, conscious of the business realities facing independent rap, and intent on building his career through both tradition and innovation.

The mix reinforces his place within a hard-edged modern underground, while the interview makes clear that his broader project is about more than music alone. He is trying to revive elements of hip hop’s old infrastructure, build new platforms on his own terms, and do it while keeping his relationship with the audience as direct as possible.

Mixtape Addict episode 10.

Grea8Gawd - Mixtape Addict Freestyle

DJ King Flow, Grea8Gawd & 2spee Gonzales - Seen It All

Vice Souletric - Vice For President (Prod by Pete Rock)

Benny The Butcher - The Most (Prod by Harry Fraud)

Grafh, Freeway, Peedi Crakk & Memphis Bleek - Rocafella Chain

Russ T Gunz & Carlito Black - Sliding Music

Jhiakana - Calm Before The Storm

Grea8Gawd - The Source (Prod. Roc Marciano)

Lefty Pachino - Flash N Pizzaz

DJ King Flow, Drazmatik & Pacewon - Niggaz Wonder Why

Hectik & Cappadonna - Brave Hearts

Obleak & Necro - Haunted

Muddy Jonez - Da Bar Association

Kheyzine & Johnny Storm - International

Daytona Chavez & Skumbag Diggs - Jungle Book

DJ King Flow - Interview with Gre8Gawd

Listen on Mixcloud here.