Graham Gold publishes playlist for Esta La Musica 404

Graham Gold returns with another Esta La Musica broadcast on Scientific Sound Asia. The platform operates as an Asian electronic music radio station, DJ agency and promoter, while also publishing music news for underground electronic music audiences across Asia and internationally.

Graham’s career has moved through several major periods in UK and international club culture. From London pirate radio and Capital FM to Kiss 100, he built a broadcasting profile closely linked with Progressive House, Trance and melodic electronic music.

His Kiss 100 FM years placed him in front of a wide radio audience during an important period for underground dance music. Alongside that work, Peach became one of his defining club projects, with reunion events in London and Ibiza keeping the name connected to its original following.

Before those wider platforms, Graham developed his sound through London residencies and pirate radio appearances. Gulliver’s Club in Mayfair and other early settings exposed him to Soul, Disco, Reggae, Jazz-Funk and the electronic styles that later became part of his broad musical identity.

Graham is now based in Thailand, where he stays active within South East Asia’s electronic music circuit. Appearances across Koh Phangan, Phuket, Pattaya and Koh Samui connect his long-running DJ background with regional club nights, beach gatherings and festival events.

'The Funky Road Show' with Duncan Uren and Graham Gold.

His mixes and radio archive can be followed through Mixcloud, while updates are available on Facebook and Instagram. Further music activity is listed through SoundCloud and Resident Advisor.

Recent productions have shown Graham working across melodic and progressive underground club music. The Lost City on Patent Skillz brings rolling basslines, detailed synth work and melodic structure, with remixes from Tomy Wahl and DJ Lion & Just Julien adding darker versions for the dancefloor.

His Beatport catalogue includes Ballroom Records releases such as Uncanny Parallels, Postponed and Manipulation with Jourdan Bordes. These tracks sit between Progressive House and Melodic House and Techno, balancing hypnotic melodic detail with club-focused rhythm.

Graham also keeps a connection to the uplifting Trance sound that helped define part of his international profile. Glorified, Living In The Now, and the Manuel Le Saux remix of Moving On show the brighter side of his catalogue through melodic lift and modern production.

Esta La Musica brings these strands together through Deep House, Progressive House, Melodic House and Techno, Tech House and Trance. The show gives Graham Gold room to connect decades of radio and club experience with current underground electronic music.

DJ Graham Gold presents Esta La Musica 404 with a selection moving through Progressive House, Tech House, Melodic House and Techno, Minimal Tech and Deep Tech House. De La Swing opens with Times Up on Cecille, placing the episode inside Minimal Tech through its Beatport genre listing.

Envotion’s We Are The Universe follows in the Forty Cats remix, moving the show into Progressive House through Skytop’s melodic and progressive catalogue context. Audioglider then continues the progressive direction with Uneven Steven on Journeydeep, keeping the opening section melodic and textured.

Emre K’s Wolves appears in the High On Mars remix on Univack, adding another Progressive House entry with a darker and more hypnotic shape. S.One’s Constellation then shifts towards Melodic House and Techno through 3000grad’s melodic electronic profile.

Maruko’s Crumbling Elements in the Kareem Zadd remix brings the set back to Progressive House through Skytop. Emre K then returns with Hypnotised in the Rafael Cerato remix, moving the mix into Melodic House and Techno with a more dramatic club structure.

Matador and Ashley Slater’s Live Again continues the melodic techno line through Rukus, supported by its Beatport placement and review context around deep techno and melodic club pressure. Stephen K Cal’s Hangar Galore then introduces Tech House through Tanzgemeinschaft, tightening the rhythm in the middle section.

Traumer’s Strap moves into Deep Tech House through Berg Audio’s dub-techno-oriented label identity and the track’s deep house release context. Pach. then brings Pull Up & Dance in the Dariyus Syrossian remix, returning the show to Tech House through Moxy’s club-focused catalogue.

Tim Cullen’s Take This in the Yousef Circus remix keeps the Tech House section active, adding an Adesso release with a direct dancefloor pulse. Papverhof’s Just Another Acid Test then moves back into Minimal Tech, adding acid detail and reduced rhythmic pressure.

JP Chronic and Gram'ma Funk close Esta La Musica 404 with The Other Side Of Funk in the Hector Morales remix on Chronovision Ibiza. DJ Graham Gold’s episode links progressive and melodic club sound with Tech House, Minimal Tech and Deep Tech House, ending on a funk-edged late-set groove.

DJ Graham Gold Esta La Musica 404

De La Swing - Times Up [Cecille]

Envotion - We Are The Universe (Forty Cats Remix) [Skytop]

Audioglider - Uneven Steven [Journeydeep]

Emre K - Wolves (High On Mars) [Univack]

S.One -  Constellation [3000grad]

Maruko - Crumbling Elements (Kareem Zadd) [Skytop]

Emre K - Hypnotised (Rafael Cerato) [Univack]

Matador Feat. Ashley Slater - Live Again [Rukus]

Stephen K Cal - Hangar Galore [Tanzgemeinschaft]

Traumer - Strap [Berg]

Pach. - Pull Up & Dance (Dariyus Syrossian) [Moxy]

Tim Cullen - Take This (Yousef Circus) [Adesso]

Papverhof - Just Another Acid Test [Acid 606-61]

Jp Chronic & Gram'ma Funk - The Other Side Of Funk (Hector Morales) [Chronovision Ibiza]

Listen on Mixcloud here.